The 1688 edition of L’office de la Semaine Sainte, a Latin liturgical book, was protected by a gold-plated leather binding. Reproduced on our Azure journal with a vibrant blue background, the antique design features an elaborate gilt-edged tendril motif.

• Width: 130mm (5")
• Height: 180mm (7")
• Depth: 26mm (1")

The 19th-century binding recreated on our Gold Inlay cover was composed of solid metal covered with a fine layer of gold and engraved by skilled craftsmen. A strong archetype of the German Neo-Renaissance style, the original book design was likely a replica of a 16th-century cover.

• Width: 100mm (4")
• Height: 140mm (5½")
• Depth: 24mm (1")
• 208 pages 

Paperblanks Safavid softcover notebook portrays a filigree pattern incorporating handtooled motifs. Symmetry is the hallmark of this Flexi journal design, which features elaborately detailed medallions originally crafted from gilded leather.

Laurel Burch’s “Ocean Songs” series, one piece of which is reproduced here, highlights her unmistakable vibrant palette and aqueous brushstrokes. Her original artwork also contained a handwritten poem, which can be seen when you open this journal’s flap.

Our Kikka softcover notebook reproduces Michiko Kamee’s “full of chrysanthemum” design originally handpainted with gold overglaze and colour on china by employing Kyo-Satsuma. In this Paperblanks Flexi cover design the viewer can see hints of the kaleidoscope of flowers in bloom, as well as fine boned artistry in every brush stroke and hue.

• Width: 180mm (7")
• Height: 230mm (9")
• Depth: 13mm (½")
• 176 pages 

Laurel Burch was a self-taught artist who relied on her intuition and passion, speaking from the heart with an unmistakably imaginative style. Based on Laurel Burch’s original “Imagine” butterflies image, Paperblanks Flutterbyes softcover notebook is the perfect Flexi journal to match any joyful lifestyle.

Johann Arndt was a German theologian who is now recognized as a forerunner of “pietism,” a popular 17th-century Lutheran movement. This intricate, ornamental binding was originally designed to house the 1697 edition of Arndt’s best-known work, Paradiesgärtlein.

• Width: 180mm (7")
• Height: 230mm (9")
• Depth: 30mm (1¼")
• 240 pages 

Capturing the flavour of finely wrought Renaissance-style leather bindings, Paperblanks Black Moroccan softcover notebook pays homage to the craft of delicate gold tooling. The timeless beauty of an antique leather book is brought into the present on the cover of this intricately embellished, rich brown Flexi journal.

• Width: 130mm (5")
• Height: 180mm (7")
• Depth: 13mm (½")
• 176 pages 

Morocco leather is a pliable material that has been valued in luxury book bindings since the late 16th century. Its strength provided a rich backdrop for showcasing embellishments, and it is this classic leather and gilt combination that has inspired us to create this cover.

• Width: 180mm (7")
• Height: 230mm (9")
• Depth: 22mm (¾")
• 144 pages 

Our Aurelia journal design is fit for a king. Its inspiration dates back to Paris in the mid-18th century and the original binding housed copies of King Louis XV’s procedures for Holy Week. This book design is a marvellous riot of gold-tooled rococo elements, featuring birds, flowers and leaves.

• Width: 180mm (7")
• Height: 230mm (9")
• Depth: 20mm (¾")
• 144 pages 

Let your words pounce on the pages within this cat-fanciful journal!

• Lightly lined pages are purr-fect for personal reflection, sketching, or jotting down favorite quotes and poems.
• Acid-free archival-quality paper takes pen or pencil beautifully.
• A curious black cat peeps from the front cover. A graceful cat silhouette appears on the back.
• Matte white covers.
• ''Be Curious'' is stamped on the front in gold foil.
• A black elastic band attached to the back cover keeps your place or keeps journal closed.
• Bronze endsheets complement the design.
• Tuck notes, reminders, mementos, and more in the inside back cover pocket.
• Popular small-format size -- 5'' wide x 7'' high -- fits easily in most bags and backpacks.
• 160 pages.

The Italian Galignani brothers were known for their French Restoration-style bindings, such as the one reproduced here. Originally designed for an 1829 edition of The Poetical Works of Thomas Moore, this gilt-decorated cover retained the structural sturdiness characteristic of the era.

• Width: 210mm (8¼")
• Height: 300mm (11¾")
• Depth: 30mm (1¼")
• 240 pages 

The 1688 edition of L’office de la Semaine Sainte, a Latin liturgical book, was protected by a gold-plated leather binding. Reproduced on our Azure journal with a vibrant blue background, the antique design features an elaborate gilt-edged tendril motif.

• Width: 95mm (3¾")
• Height: 140mm (5½")
• Depth: 30mm (1¼")

This captivating image comes from the first edition of Scottish poet and anthropologist Andrew Lang’s The Violet Fairy Book. Compiled in 1901 by Lang and illustrated by Henry Justice Ford, the book was one in a twelve-part series known as Lang’s Fairy Books, with each book named for the colour of its fairy.

Jean Grolier was among history’s most discerning book collectors, possessing one of the finest private libraries of his time. His “Last Binder” was the Parisian shop that produced most of his later commissions and was responsible for the gold-tooled, brown leather binding recreated here.

• Width: 95mm (3¾")
• Height: 140mm (5½")
• Depth: 30mm (1¼")
• 240 pages