Lovely journal provides plenty of space for all of your musings!

• 160 lightly lined pages provide plenty of space for personal reflection, sketching, or jotting down favorite quotations or poems.
• Thick, smooth-finish paper supports a variety of pens or pencils beautifully.
• Archival quality/acid-free helps preserve your writing.
• Inside back cover pocket holds notes, mementos, and more.
• Our cover's sea turtles swim in an undersea forest filled with flowers and starfish.
• Design is embellished with gold foil.
• Embossing lends dimensional detailing you can feel.
• Matching elastic closure secures your journal entries.
• Durable hardcover binding.
• Complementary endsheets.
• Mid-size journal measures 6-1/4'' wide x 8-1/4'' high.

The 1688 edition of L’office de la Semaine Sainte, a Latin liturgical book, was protected by a gold-plated leather binding. Reproduced on our Azure journal with a vibrant blue background, the antique design features an elaborate gilt-edged tendril motif.

• Width: 130mm (5")
• Height: 180mm (7")
• Depth: 26mm (1")

The design reproduced on this cover centres around a sensitive plant surrounded by other richly hued flowers, foliage and butterflies. The binding was used for The Sensitive Plant and Early Poems by Percy Bysshe Shelley and is a celebration of the creative spirit.

• Width: 130mm (5")
• Height: 180mm (7")
• Depth: 13mm (½")
• 176 pages 

Capturing the flavour of finely wrought Renaissance-style leather bindings, Paperblanks Black Moroccan softcover notebook pays homage to the craft of delicate gold tooling. The timeless beauty of an antique leather book is brought into the present on the cover of this intricately embellished, rich brown Flexi journal.

• Width: 130mm (5")
• Height: 180mm (7")
• Depth: 13mm (½")
• 176 pages 

Morocco leather is a pliable material that has been valued in luxury book bindings since the late 16th century. Its strength provided a rich backdrop for showcasing embellishments, and it is this classic leather and gilt combination that has inspired us to create this cover.

• Width: 180mm (7")
• Height: 230mm (9")
• Depth: 22mm (¾")
• 144 pages 

Our Kikka softcover notebook reproduces Michiko Kamee’s “full of chrysanthemum” design originally handpainted with gold overglaze and colour on china by employing Kyo-Satsuma. In this Paperblanks Flexi cover design the viewer can see hints of the kaleidoscope of flowers in bloom, as well as fine boned artistry in every brush stroke and hue.

• Width: 180mm (7")
• Height: 230mm (9")
• Depth: 13mm (½")
• 176 pages 

Our Mumtaz cover is named after the favourite wife of the Mughal Emperor Shah Jahan, who commissioned the Taj Mahal to house her tomb. This design reproduces a photograph of one of the Taj Mahal’s iconic marble flowers, originally inlaid with stones or semiprecious jewels using a technique called “pietra dura.”

• Width: 95mm (3¾")
• Height: 140mm (5½")
• Depth: 18mm (¾")
• 176 pages 

Laurel Burch was a self-taught artist who relied on her intuition and passion, speaking from the heart with an unmistakably imaginative style. Based on Laurel Burch’s original “Imagine” butterflies image, Paperblanks Flutterbyes softcover notebook is the perfect Flexi journal to match any joyful lifestyle.

Paperblanks Safavid softcover notebook portrays a filigree pattern incorporating handtooled motifs. Symmetry is the hallmark of this Flexi journal design, which features elaborately detailed medallions originally crafted from gilded leather.

The binding of the Lindau Gospels was designed in the late 8th century to inspire awe when the book was carried in processions or displayed on an altar. This sense of majesty extended even to the back cover, the jewelled design of which is reproduced on our Lindau journal cover.

• Width: 180mm (7")
• Height: 230mm (9")
• Depth: 22mm (¾")
• 144 pages 

The Italian Galignani brothers were known for their French Restoration-style bindings, such as the one reproduced here. Originally designed for an 1829 edition of The Poetical Works of Thomas Moore, this gilt-decorated cover retained the structural sturdiness characteristic of the era.

• Width: 210mm (8¼")
• Height: 300mm (11¾")
• Depth: 30mm (1¼")
• 240 pages 

The 19th-century binding recreated on our Gold Inlay cover was composed of solid metal covered with a fine layer of gold and engraved by skilled craftsmen. A strong archetype of the German Neo-Renaissance style, the original book design was likely a replica of a 16th-century cover.

• Width: 100mm (4")
• Height: 140mm (5½")
• Depth: 24mm (1")
• 208 pages 

The 1688 edition of L’office de la Semaine Sainte, a Latin liturgical book, was protected by a gold-plated leather binding. Reproduced on our Azure journal with a vibrant blue background, the antique design features an elaborate gilt-edged tendril motif.

• Width: 95mm (3¾")
• Height: 140mm (5½")
• Depth: 30mm (1¼")

This captivating image comes from the first edition of Scottish poet and anthropologist Andrew Lang’s The Violet Fairy Book. Compiled in 1901 by Lang and illustrated by Henry Justice Ford, the book was one in a twelve-part series known as Lang’s Fairy Books, with each book named for the colour of its fairy.

Jean Grolier was among history’s most discerning book collectors, possessing one of the finest private libraries of his time. His “Last Binder” was the Parisian shop that produced most of his later commissions and was responsible for the gold-tooled, brown leather binding recreated here.

• Width: 95mm (3¾")
• Height: 140mm (5½")
• Depth: 30mm (1¼")
• 240 pages